The Music of My Life

Seventeen years ago, I walked into the sanctuary of the Presbyterian church for a Bach Choir rehearsal. The orchestra was playing -- it was among the last rehearsals before the concert, and the orchestra was rehearsing before the choir arrived. I walked down the center aisle, the pews around me sparsely populated, and imagined myself a bride. The conductor led the musicians with vigor, and I imagined that it was all for me. This was my dream for my wedding day, something I hadn't really thought too much about -- something I didn't really think would ever happen.

Two years later, I had my wedding after all, but there was no orchestra. There was very little music, and what there was was recorded. No one danced, no one revelled in music. It was rather subdued, actually, with a great deal of food. I married someone who does not share my passion for music, and, even though our wedding date was chosen well ahead of time, we spent far too much time choosing a home and far too little planning the wedding. It was nice, it served the purpose, but it was far from my vague idea of an ideal celebration.

Tonight I sang Bach's St. Matthew Passion with that same choir and that same orchestra. Some of the faces have changed, but the music is timeless. While the whole piece is full of emotion and drama, the last chorus is the most moving. In the story, Jesus' body has just been buried by Joseph of Arimathea, and all of the people who had been close to him gather around. Ruhet sanfte, ruhet wohl, they all whisper. Sleep softly, sleep well. This one chorus is, to me, the most passionate of all of Bach's work, much of which strikes me as beautiful in a matter-of-fact, almost mathematical way. This one's different. One can feel the wild extremes of emotion, from wailing grief to quiet reflection, just as someone very human might react to the death of a spouse.

As I anticipated it, and even as I sang it, I thought to myself: I want this to be sung at my funeral. If it can't be sung, then a recording should be played at full volume, so the walls shake. Music is a visceral, essential part of who I am, and this chorus needs to be felt in the bones. When I sing it with the choir, I feel the resonance of the singers around me in my body; I hear the passion in their voices, and I see the vigorous direction from the conductor. It is all so compelling; merely listening to a recording is far too passive for this music.

Once on my way down this path, I started to think about other music I would want to have at my funeral. Parts of the Faure Requiem, perhaps, maybe some of the B Minor Mass, definitely some Billy Joel, Susan Werner. But then I stopped short. What am I doing? I thought. It hasn't been that many years since I walked down the aisle in that church and thought about my wedding. Can it be that I've gotten so old that now I can only think of my funeral?

This is disturbing. But there is no other event for which I can plan any music I want. It is the only celebration of me that I can foresee; it's just unfortunate that I can't be there for it. I'd sure love the music..